In 2014, the principals of the firm, Howard Elkus, David Manfredi and John Martin, were interested in pursuing 3D printing and they committed to adopting this technology for use in their architectural practice. When they started looking for a system, reliability, quality, repeatability, speed, cost and user experience were all deciding factors — and Stratasys® 3D printers checked all the boxes. With this new technology in place, design teams were able to hit the ground running — quickly transitioning from 3D printing simple forms like cubes and spheres to testing the limits with building forms, complex geometries, details, sculptures, and spaces. “When we started exploring the vast applications for 3D printing in our design processes, it was about trying new things and seeing what stuck,” Carrier said. “There are now models everywhere, 3D printed parts lining the corridors and colleagues’ desks.” 3D printing also became a powerful tool for conveying design intent while maintaining the quality and control of the output during the design iteration process. “We had all the tools at our fingertips to design and make models in-house, which reduced our efforts in planning and executing our projects,” added Carrier. “And we could suddenly get a lot more high-quality output than ever before.”
Collaborating with clients on projects of all shapes and sizes is a cornerstone of Elkus Manfredi’s design process. 3D printing allows it to explore and convey complex visions as well as address design challenges and opportunities head-on. “As designers, we want to bring our client’s vision to life, and we want to achieve this through 3D printing,” said Carrier. “I think it enriches the conversation and collaborative spirit of design. Now we get to show them things they’ve never seen before during the process.” 3D printing has also energized the design team. “You could see collaborative conversations taking place around the printed objects that the designers created,” added Carrier.
Today, Elkus Manfredi has fully embraced 3D printing. And with the addition of more printers, it continues to test the boundaries of the technology while exploring applications of interest such as color. New, photorealistic models better communicate the look and feel of projects to clients. “One client expressed a vision for a multi-material 3D printed master planning model for community approvals,” said Carrier. “The model was used to secure approval in one planning session, no small feat when discussing project potentials with the greater community.” The designers are also able to take a more modular approach to 3D printing, allowing them to be more responsive to changes. For example, they can simply print new exterior options for the model buildings instead of reprinting the entire model. Additionally, designers have been exploring 3D printing to visualize complex, subterranean spaces.
“We were able to produce models for a scope of work that is otherwise difficult to visualize,” stated Carrier. “3D printing underground concrete structures in the urban context of a city was useful when collaborating with general contractors and subcontractors as they were embarking on coordinating the world beneath our feet.” Beyond designing high-end models, Elkus Manfredi has also discovered a way to mimic other fabrication processes in the built environment using 3D printing, closing the gap between design intent, approvals, and final fabrication. “We think we might be addicted to 3D printing,” Carrier added.
